Product Description
Overview
ZML-Z1755C combines a 200 W tunable-white COB engine with the same 17°-55° profile zoom used across the series. Its 3200 K and 5600 K emitters let a lighting team move between warm theatrical balance and daylight-oriented white while retaining shutters, iris and gobo control.
Why It Matters
Mixed-source productions often force a choice between carrying separate warm and daylight fixtures or correcting one source with filters. The tunable-white engine reduces that compromise, especially in venues that alternate between live performance, camera work and corporate presentation.
Key Features
- Tunable White Output: Dedicated 3200 K and 5600 K emitters let the fixture move between warm theatrical balance and daylight-oriented white from one profile body.
- 17°-55° Optical Zoom: Two aspheric Fresnel lenses resize the beam without a fixed lens-tube change.
- Profile Accessory Support: Dedicated slots accept an iris and metal or glass pattern holders for controlled beam shaping.
- Touring-Ready Connections: 20 A Powerlead power linking plus 3-pin and 5-pin XLR input/output simplify mixed-system deployment.
- Onboard Operation: LCD setup, built-in programs, dimming, strobe, sound-active and master/slave modes support console and standalone use.
Applications
Suited to broadcast studios, conference stages, theatre repertory plots and rental inventories that need adjustable white balance together with a clean, shapeable profile beam.
Compatibility
ZML-Z1755C works with 18-leaf or 24-leaf irises and metal or glass pattern holders. It uses 20 A Powerlead for power linking and includes both 3-pin and 5-pin XLR DMX connections.
Frequently Asked Questions
What is different about the ZML-Z1755C light source?
It uses a tunable-white COB engine built around 3200 K and 5600 K emitters, allowing the fixture to serve warm-white and daylight-balanced production environments.
Does changing white balance affect the zoom function?
No. Color-temperature control and the 17°-55° mechanical zoom serve separate purposes, so the beam can be framed and sized for the position while the white balance is set for the scene.
Which beam-control accessories fit this model?
The accessory slot accepts an 18-leaf or 24-leaf iris along with metal or glass pattern holders for aperture and image control.
Is the fixture suitable for both 3-pin and 5-pin DMX systems?
Yes. Both connector formats are built into the rear panel, with input and output provided for integration into either signal standard.